Pierpaolo Piccioli
Pierpaolo Piccioli, creative director of Valentino, stands out in the fashion world not for his noise, but for his quiet intensity. With roots in Nettuno and a deep connection to the Roman coast, Piccioli has turned his passion for beauty into a lifelong pursuit. His work is a blend of ethics, craftsmanship, and emotion—creating fashion that resonates beyond trends. What defines him is not just aesthetic brilliance, but a profound humanism woven into every stitch.

Pierpaolo Piccioli’s Quiet Commitment to Beauty
Pierpaolo Piccioli doesn’t raise his voice. He doesn’t provoke for attention. His presence in fashion has always been quiet, deliberate, and deeply personal. Born in Nettuno, a coastal town near Rome, he later moved to the capital to study at the Istituto Europeo di Design. Though his initial path was in cinematography, he soon redirected his storytelling into fashion—trading frames for fabrics, but preserving the emotional depth.
From the beginning, his path wasn’t built on publicity or spectacle. Instead, it grew through steady dedication, much like the way he crafts a couture garment—thread by thread, with time and intent. His arrival at Valentino in 1999, initially co-leading the house alongside Maria Grazia Chiuri, marked a pivotal moment. Together they began a process of renewal: not erasing Valentino’s history but giving it new life through a modern, poetic lens. After Chiuri’s departure in 2016, Piccioli took full creative lead, further deepening the brand’s resonance with today’s world.
A Vision Where Aesthetics and Ethics Are One
Piccioli’s design philosophy goes beyond silhouettes and materials. For him, fashion is a way to express values, to build bridges, to represent voices that were long silenced. He has repeatedly emphasized that beauty must be open—never defined by narrow standards. Under his direction, Valentino became not just a fashion house, but a stage for inclusion. Models of different races, genders, body types and ages have walked his runways, not as tokens, but as protagonists of a new narrative.
A key example was his Fall/Winter 2022-23 haute couture show, where diversity wasn’t an afterthought but a foundation. It wasn’t about following a trend—it was a political and emotional gesture. For Piccioli, design is a way to reshape how we see others, and how we see ourselves. He believes beauty comes in many forms, and fashion should reflect that truth.
Fashion as a Private, Emotional Story
Unlike many top designers who live in the epicenters of global fashion, Piccioli still resides in Ostia, near the sea. He doesn’t need Paris or Milan to feel connected to fashion. His creative process thrives in silence, in daily walks by the shore, in moments of solitude. That calm is evident in his collections—light silhouettes, flowing volumes, pieces that seem to breathe on their own.
Color, for him, is not just an element but a voice. In his 2022 “Pink PP” collection, he used a single vivid pink throughout the entire show. The monochrome wasn’t about shock value—it was about sharpening our focus on the structure, the movement, the skin beneath the fabric. It was an act of visual and symbolic discipline. His passion becomes visible not through excess, but through refinement.
An Artistic Direction Grounded in Humanity
Piccioli doesn’t see fashion as a decorative layer. He sees it as a reflection of people and their stories. This is why his collections often highlight the role of artisans—the anonymous hands behind embroidery, lace, and tailoring. In his view, technical mastery and heartfelt storytelling must go hand in hand.
His designs don’t aim to be viral or grotesque. They aim to move people. Each gown, each piece, is built like a sculpture—every fold intentional, every texture part of a bigger emotion. Piccioli resists the speed and noise of the industry. Instead, he invites us to slow down, to feel, to reconnect with care and beauty.
Passion as a Lifelong Practice
To speak about Pierpaolo Piccioli is to speak of passion not as a fleeting burst, but as a discipline. His consistency, his belief in long-term values, his commitment to authenticity—these are what define his work and life. He doesn’t chase what’s trending. He builds what lasts.
In a world obsessed with the new, Piccioli continues to value permanence. That choice, modest on the surface, is profoundly powerful. Through his work, he reminds us that beauty isn’t loud, but enduring—and that fashion, at its best, is an act of devotion.