Liu Jiakun

Architecture can serve as a bridge between tradition and modernity, between functionality and artistic sensitivity. Liu Jiakun has built his career on that premise, combining a deep respect for Chinese history and culture with an innovative and socially committed approach. From his beginnings in Chengdu to international recognition, his work reflects a philosophy in which architecture is not just a structure but a response to the needs of the community.

Beginnings and education

From a young age, Liu showed an interest in the arts, especially painting and literature. Although he was initially unsure about his professional path, he decided to study architecture at the Chongqing Institute of Architecture and Engineering, graduating in 1982. After a brief experience at the Chengdu Architectural Design and Research Institute, he felt unsatisfied and sought new experiences that would enrich his worldview and his vision of architecture.

Personal exploration and return to architecture

For more than a decade, Liu stepped away from architecture to focus on painting, writing, and meditation, living in regions such as Tibet and Xinjiang. This period allowed him to deepen his understanding of Chinese culture and traditions, enriching his perspective. In 1993, an architecture exhibition inspired him to return to his profession, and in 1999, he founded Jiakun Architects in his hometown of Chengdu.

Architectural philosophy

Liu’s work is distinguished by a profound connection to local culture and community needs. His approach is based on a “low-tech strategy,” prioritizing simple and effective solutions, using local materials and traditional techniques. Moreover, Liu seeks to ensure that his designs foster community life while respecting the history, culture, and natural environment of each location.

Notable projects

Luyeyuan Sculpture Museum (2002): Located in Chengdu, this museum blends harmoniously with the natural landscape, using local materials and respecting the site’s topography.

West Village in Chengdu (2015): This urban complex combines commercial, cultural, and recreational spaces, encouraging social interaction and revitalizing community life in the area.

Imperial Kiln Brick Museum in Suzhou (2016): This project stands out for its innovative use of recycled materials, transforming rubble into construction elements that reflect the history and resilience of the community.

Recognition and legacy

Liu’s commitment to an architecture that serves society and honors local culture has been internationally recognized. In 2025, he was awarded the Pritzker Prize, considered the Nobel of architecture, for his ability to envision and build new worlds that integrate all aspects of urban life.